Niggun Meron:
The melodies of Meron are traditional Jewish tunes played annually at the celebration of Lag Ba’Omer at the tomb of Rabbi Shimon Bar Yochai in Meron, Israel. Performed by klezmer musicians, these melodies have become an integral part of the event.
Origins and History The custom of celebrating with music and dance on Lag Ba’Omer traces its roots back to a story about the Ari, a renowned kabbalist, who is said to have introduced the practice of dancing and singing at Meron on this day. Over the centuries, this tradition has evolved, and the melodies of Meron have diversified, drawing from various cultural influences, including Eastern European Hasidic music, Romani melodies, Balkan folk music, and even local folk traditions.
Significance The melodies of Meron are more than just music; they represent a rich Jewish cultural heritage, blending spirituality, joy, and musical diversity. They are a testament to a millennia-old tradition that continues to thrive through generational transmission.
The melody I chose was composed by the Abu family, which is why it’s also called Nigu Bet Abu.
This arrangement blends the Jewish Klezmer tradition with a certain sophistication that, while drawing from the tradition of classical music, remains nonetheless modern.
You will find my version of this arrangement for three different formations:
Trio with Piano, violin, cello
Trio with Piano, violin, viola
and finally a version for solo violin and orchestra
Traditional Habbad Jewish Song
Arranged for Piano Trio with Cello
Individual Parts, 9 pages
Click here to open video 
Arranged for Piano Trio with Alto
Individual Parts, 10 pages
click here to open video
Arranged for Solo Violin & Orch.
Score & Individual Parts, 43 pages
